Camera Etiquette

My last semester in college I was struck with the lack of camera etiquette that was occurring around me. The first time was in a bible class when a guy from the yearbook staff randomly burst in the room and started walking around taking pictures. Lets just say this did not go over well with the professor, can't say that I blame him. It's hard enough trying to keep the attention of a class full of twenty year olds while teaching on bible translation without having to compete with some random dude trampsing around the room taking yearbook pictures. Cause lets be honest, no matter how much everyone pretends they don't want their picture taken, when it comes down to it everyone wants to see their face in the yearbook. Long story short the professor kindly told the photographer to get lost and the indecent was forever a glaring memory of what NOT to do in my head.

That brings me to camera etiquette faux pas #2...formal events. As I was sitting at one of my good friends senior piano recitals I was again hit by this idea of bad camera etiquette. The memory of a freshman photography major running around the room taking photographs with her flash on is forever imprinted in my brain. To say it was a distraction is an understatement, it was downright embarrassment to all who call themselves photographers. The flash of her camera in a darkened room created a strobe like setting for the room which I am sure my friend did not intended to be incorporated into her recital.

How could these two incidents have been avoided. Incident #1 could have been avoided by communicating with the professor before ever entering the class room. Remember if it is not a situation where they have invited you to come invade their space you need to communicate your intentions and ask for permission. Simple :-)

Incident #2...while the photographer had been invited to take photographs she was completely unaware of her surroundings. Photographers I KNOW we all have an instinct to get in the position to take the best shot, sometime you must say NO to this instinct. At recitals, or even some weddings the client may want you to blend into the walls so as to not take away from the moment, even if it means at the cost of the photographs.

How can we keep from committing camera etiquette faux pas? It is simple, communicate with those you are photographing/working for, take a look at your surroundings and asses what is fitting for the situation.

Tips on Photographing Weddings with Chayil Branda

The following is an interview with Chayil Marie Branda. She is a photographer who has been shooting weddings on her own for about a year. She worked with another photographer previous to that for three years, and gained valuable experience. The interview is filled with helpful tips for people who are trying to break into the photography business, specifically weddings.


Q: What got you into photographing weddings?
A: My mom was a photographer and I always enjoyed going to the studio to watch her develop film.

Q: What was the biggest challenge business wise when you first started out in photography?
A: Finances. It’s an expensive industry and in order to make money, you have to spend it.

Q: What are the three biggest challenges when photographing for a wedding?
A: 1. Time – you will always feel rushed. You have to learn to adapt.
2. “Uncle Joe’s” – close friend or family member who usually has nicer gear than me and is wanting to talk my ear off while I’m trying to work.
3. Prep time. Making sure you and all your gear is ready. There no second chances with a wedding, so you have to make sure it’s all ready before you begin.

Q: What are some tips to overcome these challenges?
A: Practice. With all of them. You’ll get better the more times you handle them.

Q: What would you say are the key pieces of equipment you need for successfully photographing a wedding?
A: Other than a camera? (: Depends on the type of photography you shoot. For me, I shoot very photo journalistically, so I need my camera, my lenses (50mm 1.4 and 70 – 200 2.8L are my most used) and a bottle of cherry coke.

Q: When photographing the reception do you set the shot up first or do you just shoot as it happens?
A: Both. I’ll set up a cake shot, then shoot during the actual “eating”. Bouquet/garter – I just let happen and shoot through.

Q: Do you have any tips for photographing during the actual ceremony?
A: Remember that as much as this is about the bride & groom, it’s also about the joining of two families. Look for the emotions from parents/ grandparents during the ceremony too. I always rapid fire the ceremony, so that I don’t miss “the money shot”.

Q: Could you describe your favorite posses that you have used in weddings?
A: I HATE to do “normal” posing. As I look through blogs, magazines, website… when I see a pose I like, I’ll sketch it out in my journal and then before a wedding, I’ll prep the wedding by looking through the journal for ideas.
Biggest goal for me here is to make the couple/bridal party look comfortable. Most people hate pictures, so getting them comfy is huge.

Q: Any tips or general information that you think would be useful to add?
A: The biggest thing that helps with wedding photography is practice. Second shoot with another photographer, until you are to the point where you would be ok, if that photographer called in sick. Also, see what’s going on in the wedding industry. Read blogs, look at websites, and be informed!




For more information on Chayil go to:
http://sv-se.facebook.com/pages/Palm-Harbor-FL/Chayil-Marie-Branda-Photography/15178503797